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His works often deploy humorous narratives about future dystopias to explore what motivates us as humans to work, live, and create.\n\nJeremy Couillard was born in 1980 in Michigan. He received his MFA from Columbia University and his BA from Michigan State University. Couillard has exhibited at Zabludowicz Collection (London, U.K.), Phillips Auction House (co-commissioned by daata editions) (New York, NY), yours, mine & ours gallery (New York, NY), Lincoln Center (New York, NY), Louis B. James (New York, NY), Zhulong Gallery (Dallas, TX), Flux Factory (Queens, NY), and has screened his work at the New Museum and Rhizome (New York, NY), Salon 94 (New York, NY), the Brooklyn Academy of Music (Brooklyn, NY), and the Warhol Museum (Pittsburgh, PA).\n\nCouillard’s work has been featured or reviewed in Artforum, The New York Times, The New Yorker, Hyperallergic, Frieze Magazine, Art in America, VICE’s The Creators Project, The Washington Post, FAD, artnet news, ARTNews, the Huffington Post, and the Observer. 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Surrounded by love, the sun is smiling.\n\nEach edition comes with one of twenty hand drawn frames that comprise the original animation. This is a physical drawing 14 x 10cm signed, numbered and dated. 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See more at nft.daata.art/daataverse\n\nThe artwork was designed by Keiken to reflect Daata’s mission to support artists and foster critical discourse within the NFT space. An ancient silver coin, embossed with two winged horses, spins in an eternal revolution. At its core, the Daata ‘d’ sits amongst a kaleidoscope of precious jewels. Despite such luxurious materials, the NFT does not celebrate material wealth. In Greek mythology, the winged horse Pegasus represented heroic victory. The metal’s oxidised patina similarly infers wisdom and experience. More than a symbol, this is a work of art that reflects who we are and where we’re going - join us. 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Through these varied mediums they explore how societal introjection governs the way we feel, think and perceive.\n\nRecent exhibitions and projects include: E-motion Graphics, Yebisu International Festival for Art & Alternative Visions 2021; Tokyo Photographic Art Museum, Tokyo (2021); The Time Complex, Yerevan Biennial, Online; Augmented Empathy, FACT, Liverpool; The Metaverse Womb, 3hd 2020, HAU Hebbel am Ufer, Berlin; Ghosts & Apparitions, Sheffield Doc Fest, Online; Metaverse: We are at the end of something, Mira Festival, IDEAL, Barcelona; Sessions, Block Universe, Online; The Artist is Online, KÖNIG GALERIE, Online; How to Make a Paradise, Frankfurter Kunstverein, Frankfurt; The Eternal Network, transmediale 2020, Haus der Kulturen der Welt HKW, Berlin (2020); Image Behaviour, ICA, London; Jerwood Collaborate!, Jerwood Arts, London (2019).","icon":{"data":{"attributes":{"url":"https://res.cloudinary.com/daata-prod/image/upload/v1664450230/Keiken_logo_2_ece0de29ac_a4699a1016.png","__typename":"UploadFile"},"__typename":"UploadFileEntity"},"__typename":"UploadFileEntityResponse"},"profile_pic":{"data":{"attributes":{"url":"https://res.cloudinary.com/daata-prod/image/upload/v1664450209/Portrait_Keiken_credits_Callum_Leo_Hughes_2d507054b6_1fa563a315.jpg","__typename":"UploadFile"},"__typename":"UploadFileEntity"},"__typename":"UploadFileEntityResponse"},"__typename":"Artist"},"attachments":[{"__typename":"ComponentEditionEdition","collectionAddress":"0x5fabc6db5481228609a47c0c498ded84d230aca6","media":{"data":null,"__typename":"UploadFileEntityResponse"}}],"edition":{"__typename":"ComponentEditionEdition","collectionAddress":"0x5fabc6db5481228609a47c0c498ded84d230aca6","media":{"data":null,"__typename":"UploadFileEntityResponse"}}},{"__typename":"ArtworkEntity","date_published":"2022-06-20T22:00:00.000Z","name":"Metaxy","description":"Metaxy\n2022\nHD Video, MP4, NFT\n00:00:10\n\nMetaxy is the figure of in-betweens and metamorphosis. Diotima teaches Socrates that Love is the child of plenty and poverty, and is found between gods and mortals. Metaxy also manifests as Metatron ( רוֹןְ טָטֶ מ)—the final, highest, latest, last, last angel, who keeps re-looping the final devalued revelation. They are surrounded by unwanted mementos, detritus, relics, and props. Starting its life between nude and clothed, the character will metamorphosize into evolving skins, personae, shrouds, and traits.","database_id":"artwork-10","slug":"metaxy","hidden":null,"media":{"provider_metadata":{"public_id":"metaxy_52d2ea6bf9","resource_type":"video"},"url":"https://res.cloudinary.com/daata-prod/video/upload/v1664548516/metaxy_52d2ea6bf9.mp4","mime":"video/mp4","__typename":"UploadFile"},"drop":{"slug":"vomitorium","title":"Vomitorium","headline":"A tragicomic reenactment of the history of meta-theatre from religious ritual to live-streaming, Zoom, and Twitch.","date_published":"2022-06-20T21:00:00.000Z","database_id":"drop-8","__typename":"Drop"},"artist":{"slug":"felix-and-gabe","name":"Felix & Gabe","bio":"Bernstein and Rubin’s multifaceted approach to composition encompasses theatre, film, poetry, and digital media. Taking apart the formal parameters of essay and installation, they highlight structural impasses inherent in multimedia hybridity. Often performing as fictional, anachronous personae, they employ the elasticity of theatricality in moments of tenuous changeover. Their ongoing work analyzes of madness and mimesis in queer performance, challenging staid discourses and affective assumptions. many forms, Bernstein and Rubin explore the implications of both fashionable and occluded tropes of queer and trans* life including dysphoria, suicide, and depersonalization.\n\nTheir work has been presented at the Kitchen, LUMA Westbau, MOCA Los Angeles, Issue Project Room, Anthology Film Archives, the Whitney Museum of American Art, Reena Spaulings Fine Arts (Los Angeles), and Pilar Corrias Gallery (London). 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Using the metaphor and physicality of a two-headed body, Hall explores how multiple personalities and possibilities of self are visualised. A dark onanistic fantasy of sex dolls and self-love unfolds by means of an out-of-body experience. The central character divides, seeing her body as a disembodied object. Her body parts separate and multiply as her other self – her alter ego – becomes her lover. She is at once monstrous, sexy and utterly wonderful. 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She draws on a childhood immersed in the aesthetic formalities of American Southern conservative and religious culture, and contrasts them with those of familiar subcultures.\n\nTrulee Hall (b. 1976) received her BFA from Atlanta College of Art in 1999 and her MFA from CalArts in 2006. Hall’s first gallery solo exhibition, The Other and Otherwise, was held at Maccarone, Los Angeles in 2019. Other recent projects include Tongues Duel the Corn Whores, an Opera at the Zabludowicz Collection; All of Them Witches at Jeffrey Deitch in Los Angeles; Infestation, a video and sculptural installation at Paramount Studios as part of the inaugural Frieze Los Angeles (2019). Exhibitions and screenings of her work have been held at the Rubell Family Collection, Hammer Museum, Villa Schöningen, Redcat, Los Angeles Contemporary Exhibitions (LACE), Los Angeles Nomadic Division (LAND), Human Resources LA, Barrick Museum of Art, Michael Benevento Gallery, OUTFEST LA, The Museum of Contemporary Art Chicago, Billy Wilder Theater, Yale Union and MOCA Los Angeles among other numerous exhibitions and screenings internationally. 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This is only available to the original collector.","purchaseLink":null,"price":null,"ObjectMediaArray":{"data":[{"attributes":{"url":"https://res.cloudinary.com/daata-prod/image/upload/v1664454065/Orfeo_Tagiuri_FLAME_1_e02536e37f.png","mime":"image/png","__typename":"UploadFile"},"__typename":"UploadFileEntity"}],"__typename":"UploadFileRelationResponseCollection"},"media":{"data":[{"attributes":{"url":"https://res.cloudinary.com/daata-prod/image/upload/v1664454065/Orfeo_Tagiuri_FLAME_1_e02536e37f.png","mime":"image/png","__typename":"UploadFile"},"__typename":"UploadFileEntity"}],"__typename":"UploadFileRelationResponseCollection"}}},{"__typename":"ArtworkEntity","date_published":"2022-06-01T21:00:00.000Z","name":"AES+F","description":"A new monograph dedicated to the internationally acclaimed Russian art collective AES+F, published by Rizzoli.\n\nThe volume will shed light on the psychoanalytic approach that underlies their language and provocations, intended to induce a process of self-reflection in the viewer, changing their perception of the world and society. Their visual journey will be articulated into three chronological sections corresponding to the most significant shifts in their conceptual evolution, covering their practice from 1995 to 2020.\nFirst formed as AES Group in 1987 by Arzamasova, Evzovich, and Svyatsky, the collective became AES+F when Fridkes joined in 1995. AES+F work at the intersection of traditional media, photography, video and digital technologies. They define their practice as a “social psychoanalysis\" through which they reveal and explore the values, vices and conflicts of contemporary global culture.\n\nAES+F achieved worldwide critical acclaim in 1999 for their Islamic Project, which depicted various Western postcard city landscapes manipulated to appear colonized by Islam. AES+F cemented their reputation as a contemporary art powerhouse in the Russian Pavilion at the 52nd Biennale di Venezia in 2007 with their provocative Last Riot, the first of their now signature large-scale, multichannel video installations. \n\nFollowing a large survey exhibition in 2007 at The State Russian Museum in St. Petersburg, AES+F's next three large video installations titled The Feast of Trimalchio, Allegoria Sacra, and Inverso Mundus debuted at the 53rd Venice Biennale, 4th Moscow Biennale, and 56th Venice Biennale respectively. The group has had more than 100 solo exhibitions at museums, exhibition spaces, and commercial galleries worldwide. AES+F works have been shown in such institutions as the Tate Britain (London), Garage Museum of Contemporary Art (Moscow), MAXXI and MACRO Future (Rome), Centre Pompidou (Paris), Museo Thyssen-Bornemisza (Madrid), HAM (Helsinki), Moderna Museet (Stockholm), Mori Art Museum (Tokyo), Leeum Samsung Museum of Art (Seoul), National Gallery of Australia (Canberra), Faena Art Center (Buenos Aires), and many others.\n","database_id":"artwork-49","slug":"aes","hidden":false,"image":"https://res.cloudinary.com/daata-prod/image/upload/v1679999597/Cover_AES_F_to_print_FRONT_NEW_300dpi_c581efdf81.jpg","media":{"provider_metadata":{"public_id":"Cover_AES_F_to_print_FRONT_NEW_300dpi_c581efdf81","resource_type":"image"},"url":"https://res.cloudinary.com/daata-prod/image/upload/v1679999597/Cover_AES_F_to_print_FRONT_NEW_300dpi_c581efdf81.jpg","mime":"image/jpeg","__typename":"UploadFile"},"artist":{"slug":"aes-f","name":"AES+F","bio":"First formed as AES Group in 1987 by Arzamasova, Evzovich, and Svyatsky, the collective became AES+F when Fridkes joined in 1995. AES+F work at the intersection of traditional media, photography, video and digital technologies. They define their practice as a “social psychoanalysis\" through which they reveal and explore the values, vices and conflicts of contemporary global culture.\n\nAES+F achieved worldwide critical acclaim in 1999 for their Islamic Project, which depicted various Western postcard city landscapes manipulated to appear colonized by Islam. AES+F cemented their reputation as a contemporary art powerhouse in the Russian Pavilion at the 52nd Biennale di Venezia in 2007 with their provocative Last Riot, the first of their now signature large-scale, multichannel video installations. Following a large survey exhibition in 2007 at The State Russian Museum in St. Petersburg, AES+F's next three large video installations titled The Feast of Trimalchio, Allegoria Sacra, and Inverso Mundus debuted at the 53rd Venice Biennale, 4th Moscow Biennale, and 56th Venice Biennale respectively. The group has had more than 100 solo exhibitions at museums, exhibition spaces, and commercial galleries worldwide. AES+F works have been shown in such institutions as the Tate Britain (London), Garage Museum of Contemporary Art (Moscow), MAXXI and MACRO Future (Rome), Centre Pompidou (Paris), Museo Thyssen-Bornemisza (Madrid), HAM (Helsinki), Moderna Museet (Stockholm), Mori Art Museum (Tokyo), Leeum Samsung Museum of Art (Seoul), National Gallery of Australia (Canberra), Faena Art Center (Buenos Aires), and many others.","icon":{"data":{"attributes":{"url":"https://res.cloudinary.com/daata-prod/image/upload/v1679999567/Cover_AES_F_to_print_FRONT_NEW_300dpi_fd32576651.jpg","__typename":"UploadFile"},"__typename":"UploadFileEntity"},"__typename":"UploadFileEntityResponse"},"profile_pic":{"data":{"attributes":{"url":"https://res.cloudinary.com/daata-prod/image/upload/v1679999597/Cover_AES_F_to_print_FRONT_NEW_300dpi_c581efdf81.jpg","__typename":"UploadFile"},"__typename":"UploadFileEntity"},"__typename":"UploadFileEntityResponse"},"__typename":"Artist"},"attachments":[{"__typename":"ComponentArObjectArObject","bundle_name":"daata_aesf_PT_videoplayer"}],"arObject":{"__typename":"ComponentArObjectArObject","bundle_name":"daata_aesf_PT_videoplayer"}},{"__typename":"ArtworkEntity","date_published":"2022-01-18T00:00:00.000Z","name":"Granular Marilyn","description":"Andy Warhol took a newspaper image of Marilyn Monroe and put her through screen printing processes. George Barber appropriated an image of Marilyn and put her through a mixture of old analogue video processes and new digital CGI. The result is Granular Marilyn (2022). The visually abstract sequence is composed of colourful beads which occasionally resolve intriguingly into the face of Marilyn. Just as Warhol appropriated a newspaper image of Marilyn, Barber has used today's technology to re-enact this famous act. Yet Granular Marilyn also references his own early career and importance in Scratch Video, a 1980’s video genre Barber made a name in, and came to define.","database_id":"artwork-52","slug":"granular-marilyn","hidden":false,"image":"https://res.cloudinary.com/daata-prod/image/upload/v1680267633/still_George_copy_764b6a9fe5.jpg","media":{"provider_metadata":{"public_id":"Granular_Marilyn_George_Barber_1_a335244ba6","resource_type":"video"},"url":"https://res.cloudinary.com/daata-prod/video/upload/v1680267718/Granular_Marilyn_George_Barber_1_a335244ba6.mp4","mime":"video/mp4","__typename":"UploadFile"},"drop":{"slug":"body-circuitry","title":"Body Circuitry","headline":"Body Circuitry explores human-machine relationships in the digital age. 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His works have been shown at London Film Festival, Tate Britain, Tate Modern, ICA and the Royal Academy.","icon":{"data":{"attributes":{"url":"https://res.cloudinary.com/daata-prod/image/upload/v1680269071/George_at_Tennis_Club_medium_c6d810eb56.jpg","__typename":"UploadFile"},"__typename":"UploadFileEntity"},"__typename":"UploadFileEntityResponse"},"profile_pic":{"data":{"attributes":{"url":"https://res.cloudinary.com/daata-prod/image/upload/v1680267541/George_at_Tennis_Club_medium_0f108ad86a.jpg","__typename":"UploadFile"},"__typename":"UploadFileEntity"},"__typename":"UploadFileEntityResponse"},"__typename":"Artist"},"attachments":[{"__typename":"ComponentExternalMarketLinkExternalMarketLink","link":"https://knownorigin.io/gallery/6085000-granular-marilyn","siteName":"KnownOrigin","buttonText":"Buy Now"}],"ExternalMarketLink":{"__typename":"ComponentExternalMarketLinkExternalMarketLink","link":"https://knownorigin.io/gallery/6085000-granular-marilyn","siteName":"KnownOrigin","buttonText":"Buy Now"}},{"__typename":"ArtworkEntity","date_published":"2023-02-21T00:00:00.000Z","name":"hounds","description":"vacant","database_id":"artwork-44","slug":"hounds","hidden":false,"image":"https://res.cloudinary.com/daata-prod/image/upload/v1677000836/hound_7eeff60f2c.png","media":{"provider_metadata":{"public_id":"hounds_Adobe_Express_4d336712ad","resource_type":"video"},"url":"https://res.cloudinary.com/daata-prod/video/upload/v1677004028/hounds_Adobe_Express_4d336712ad.mp4","mime":"video/mp4","__typename":"UploadFile"},"drop":{"slug":"blind-spot","title":"Blind Spot","headline":"What happens when the artists’ organic eye fuses with the unsympathetic digital eye?","date_published":"2023-02-21T00:00:00.000Z","database_id":"drop-11","__typename":"Drop"},"artist":{"slug":"ripcache","name":"ripcache","bio":"Read an interview with ripcache [here](https://daata.art/essays/emily-may-interview-with-ripcache).","icon":{"data":{"attributes":{"url":"https://res.cloudinary.com/daata-prod/image/upload/v1676901971/Pj_Rg_P6_Ux_400x400_30a9ac2fb1.jpg","__typename":"UploadFile"},"__typename":"UploadFileEntity"},"__typename":"UploadFileEntityResponse"},"profile_pic":{"data":{"attributes":{"url":"https://res.cloudinary.com/daata-prod/image/upload/v1676901971/Pj_Rg_P6_Ux_400x400_30a9ac2fb1.jpg","__typename":"UploadFile"},"__typename":"UploadFileEntity"},"__typename":"UploadFileEntityResponse"},"__typename":"Artist"},"attachments":[{"__typename":"ComponentExternalMarketLinkExternalMarketLink","link":"https://superrare.com/0xb932a70a57673d89f4acffbe830e8ed7f75fb9e0/hounds-43245","siteName":"SuperRare","buttonText":"Make Offer"}],"ExternalMarketLink":{"__typename":"ComponentExternalMarketLinkExternalMarketLink","link":"https://superrare.com/0xb932a70a57673d89f4acffbe830e8ed7f75fb9e0/hounds-43245","siteName":"SuperRare","buttonText":"Make Offer"}},{"__typename":"ArtworkEntity","date_published":"2022-03-13T23:00:00.000Z","name":"I Am A Mandebulb","description":"Am I A Mandelbulb (2022) is an introspective film commissioned by Daata that examines identity and the role of the artist in today’s technologically advanced society. The digital film shows a dodecahedron mutating into ever more intricate fractals. This morphing process takes on a psychedelic quality: the crystalline shape at times appears bejewelled with precious diamonds, gold chains and bouncing booties. In contrast to these ‘two-dimensional’ symbols of male authority, a Mandelbulb is the most widely recognised three-dimensional mathematical fractal form, known for its beauty and infinite complexity. The piece’s title is a question with no question mark, suggesting a swaggering confidence to Newsome’s multiplicitous sense of self.\n\n\nThe film brings together many of the themes and motifs within Assembly, Newsome’s multi-dimensional exhibition commissioned by Park Avenue Armory, NYC (18 Feb - 6 March 2022). Assembly is a site-specific commission for Park Avenue Armory’s Wade Thompson Drill Hall that interweaves artificial intelligence, computer programming, fractal geometry, holography, collage, sculpture, film, photography, music, community organizing, and performance. Central to the work is the non-gendered, non-raced Being, Newsome’s AI progeny who the artist likens to the West African figure of the Griot, acting as historian, librarian, performance artist, and healer.\n\n\nDaata’s collaboration with Newsome follows the gallery’s six existing commissions of digital artworks by the artist over the last six years. Since its founding in 2016, Daata has created over 700 works in partnership with more than 100 emerging and established artists. Daata offers resources and support in the creation of work, utilizing new technologies and platforms for presenting them, both online and IRL. Through commissions, exhibitions, projects, and partnerships, Daata works with both digitally-native artists as well as artists seeking to build and extend their practices beyond traditional media. By connecting artists to new audiences, Daata helps to nurture a broader appreciation of artists working at the forefront of art in digital mediums, including NFTs, AR, VR, audio works, and CGI video.","database_id":"artwork-6","slug":"i-am-a-mandebulb","hidden":null,"media":{"provider_metadata":{"public_id":"video_3f216796f8","resource_type":"video"},"url":"https://res.cloudinary.com/daata-prod/video/upload/v1664548746/video_3f216796f8.mp4","mime":"video/mp4","__typename":"UploadFile"},"drop":{"slug":"assembly","title":"Assembly","headline":"Am I A Mandelbulb (2022) is an introspective film commissioned by Daata that examines identity and the role of the artist in today’s technologically advanced society.","date_published":"2022-02-17T22:00:00.000Z","database_id":"drop-3","__typename":"Drop"},"artist":{"slug":"rashaad-newsome","name":"Rashaad Newsome","bio":"Rashaad Newsome (b. 1979, New Orleans, Louisiana) is a multidisciplinary artist whose work blends several practices together including collage, sculpture, video, music, computer programming and performance, to form an altogether new field. He pulls intuitively from the world of advertising, the Internet, Black and Queer culture to produce counter-hegemonic works that use the diasporic traditions of improvisation and college, to craft compositions that walk the tightrope between intersectionality, social practice, and abstraction.\n\nNewsome has exhibited and performed in galleries, museums, institutions, and festivals throughout the world including The Studio Museum in Harlem, NYC; The National Museum of African American History and Culture, Washington, D.C.; The Whitney Museum, NYC; Brooklyn Museum, NYC; MoMAPS1, NYC; SFMOMA, San Francisco; New Orleans Museum of Art; Centre Georges Pompidou, Paris; The Garage Center for Contemporary Culture, Moscow; and MUSA, Vienna.","icon":{"data":{"attributes":{"url":"https://res.cloudinary.com/daata-prod/image/upload/v1664450351/rashaad_icon_3ce702b7df_86c9c5a583_9b4912a39a.jpg","__typename":"UploadFile"},"__typename":"UploadFileEntity"},"__typename":"UploadFileEntityResponse"},"profile_pic":{"data":{"attributes":{"url":"https://res.cloudinary.com/daata-prod/image/upload/v1664450335/rashadnewsome_w_2395_medium_f2b45f7c43_4a3ddebab1.jpg","__typename":"UploadFile"},"__typename":"UploadFileEntity"},"__typename":"UploadFileEntityResponse"},"__typename":"Artist"},"attachments":[{"__typename":"ComponentTokenToken","collectionAddress":"0x76b1ed37a4a7af10e98efdc92a81405c61904e3e","tokenId":"1","tokenMedia":{"data":null,"__typename":"UploadFileEntityResponse"}}],"token":{"__typename":"ComponentTokenToken","collectionAddress":"0x76b1ed37a4a7af10e98efdc92a81405c61904e3e","tokenId":"1","tokenMedia":{"data":null,"__typename":"UploadFileEntityResponse"}}},{"__typename":"ArtworkEntity","date_published":"2022-01-18T00:00:00.000Z","name":"Limbo","description":"Rebecca Allen is celebrated as one of the earliest pioneers of digital art. In 1979 she created Refs, one of the first examples of a 'gif-like' animation loop, and in 1981, as she continued her study of human motion, Allen created The Swimmer - the first ever example of a female 3D computer model in motion. These studies have led to Allen's most recent experiments using novel AI software to enable AI driven computer models to learn to move and be more like humans.\n\nLimbo is a new work that reflects on the current state of humanity. We see a female figure wearing a hazmat suit and mask caught in a futile and endless loop - unable to make any real forward progress. The work acts as an analogy for how many of us feel in this moment of time - we are stuck in 'limbo' with Covid itself feeling like a perpetual trap. However, there is an optimism to the animation's continued loop of getting up and starting again, as we all must.","database_id":"artwork-53","slug":"limbo","hidden":false,"image":"https://res.cloudinary.com/daata-prod/image/upload/v1680267919/still_Orfeo_5f498a782d.png","media":{"provider_metadata":{"public_id":"Screen_Shot_2021_12_08_at_5_53_22_PM_5c44969a27","resource_type":"video"},"url":"https://res.cloudinary.com/daata-prod/video/upload/v1680267947/Screen_Shot_2021_12_08_at_5_53_22_PM_5c44969a27.mp4","mime":"video/mp4","__typename":"UploadFile"},"drop":{"slug":"body-circuitry","title":"Body Circuitry","headline":"Body Circuitry explores human-machine relationships in the digital age. 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Her early interest in utilizing the computer as an artistic tool led to her pioneering art involving human motion simulation, artificial life algorithms and other generative techniques for art creation. She has collaboratively worked with artists, musicians and choreographers including Nam June Paik, Kraftwerk, Twyla Tharp, Mark Mothersbaugh (Devo), Peter Gabriel, John Paul Jones (Led Zeppelin), Carter Burwell, Joffrey Ballet, and La Fura dels Baus. Allen’s work is exhibited internationally and is part of the permanent collection of Centre Georges Pompidou, Whitney Museum of American Art and NY Museum of Modern Art.\n\nRebecca Allen in 1987. Photo by Montxo Algora.","icon":{"data":{"attributes":{"url":"https://res.cloudinary.com/daata-prod/image/upload/v1680269096/Rebecca_Allen_Portrait_1987_Joshua_Tree_photo_by_Montxo_Algora_1_medium_5d959a2930.jpg","__typename":"UploadFile"},"__typename":"UploadFileEntity"},"__typename":"UploadFileEntityResponse"},"profile_pic":{"data":{"attributes":{"url":"https://res.cloudinary.com/daata-prod/image/upload/v1680267849/Rebecca_Allen_Portrait_1987_Joshua_Tree_photo_by_Montxo_Algora_1_medium_66ecc638f9.jpg","__typename":"UploadFile"},"__typename":"UploadFileEntity"},"__typename":"UploadFileEntityResponse"},"__typename":"Artist"},"attachments":[{"__typename":"ComponentExternalMarketLinkExternalMarketLink","link":"https://knownorigin.io/gallery/6212000-limbo","siteName":"KnownOrigin","buttonText":"Buy Now"}],"ExternalMarketLink":{"__typename":"ComponentExternalMarketLinkExternalMarketLink","link":"https://knownorigin.io/gallery/6212000-limbo","siteName":"KnownOrigin","buttonText":"Buy Now"}},{"__typename":"ArtworkEntity","date_published":"2023-01-13T00:00:00.000Z","name":"Awe Sort Silver","description":"Open Call Winner\nSelected by [33NFT](https://twitter.com/33NFT), Digital Art Collector and Curator\n\n'A 3D sculpture of amorphous form, coloured with video art textures that have their origins in sources of light, distorted and transformed beyond recognition.'","database_id":"artwork-39","slug":"awe-sort-silver","hidden":false,"media":{"provider_metadata":{"public_id":"Linda_Loh_Awe_Sort_Silver_high_res_w_sound_7bc4c0fb95","resource_type":"video"},"url":"https://res.cloudinary.com/daata-prod/video/upload/v1673954575/Linda_Loh_Awe_Sort_Silver_high_res_w_sound_7bc4c0fb95.mp4","mime":"video/mp4","__typename":"UploadFile"},"drop":{"slug":"open-call","title":"Open Call","headline":"Daata's first ever open call exhibition. Artists selected by 33NFT (Collector), Katie Heller (KOKO) and Emily May (Daata).","date_published":"2023-01-13T00:00:00.000Z","database_id":"drop-10","__typename":"Drop"},"artist":{"slug":"linda-loh","name":"Linda Loh","bio":"Linda Loh is a visual artist working between New York City and Melbourne, Australia. Her multimedia works navigate the elusive form and materiality of digital space with transformed sources of light. In 2012 she received a Bachelor of Fine Art (Expanded Studio Practice) from the Royal Melbourne Institute of Technology (RMIT) University, Australia.\n\nShe has had solo and group exhibitions around Australia and in the USA, with works curated into projection festivals, public LED billboard projects, online events, screenings, art galleries and more. She has undertaken several artist residencies around the world, including NARS in New York City, in 2018.\n\nIn 2021 she completed a Master of Fine Art in Computer Arts, at the School of Visual Arts in New York City. Since then she has participated in many exhibition projects, in both physical space and online, in Australia and the USA, as well as Switzerland and UK. In 2022 she was engaged in an innovative, international, blockchain based curatorial project, with a decentralised community called Lonely.Rocks DAO. It resulted in an exhibition at Untitled Miami, part of Miami Art Week (Art Basel), in December 2022.","icon":{"data":{"attributes":{"url":"https://res.cloudinary.com/daata-prod/image/upload/v1673620595/IMG_6739_resized_400x400_c9795db437.jpg","__typename":"UploadFile"},"__typename":"UploadFileEntity"},"__typename":"UploadFileEntityResponse"},"profile_pic":{"data":{"attributes":{"url":"https://res.cloudinary.com/daata-prod/image/upload/v1673620595/IMG_6739_resized_400x400_c9795db437.jpg","__typename":"UploadFile"},"__typename":"UploadFileEntity"},"__typename":"UploadFileEntityResponse"},"__typename":"Artist"},"attachments":[{"__typename":"ComponentTokenToken","collectionAddress":"0xE871e274002f539C32429fB57B87e128Af15DcdA","tokenId":"2","tokenMedia":{"data":null,"__typename":"UploadFileEntityResponse"}}],"token":{"__typename":"ComponentTokenToken","collectionAddress":"0xE871e274002f539C32429fB57B87e128Af15DcdA","tokenId":"2","tokenMedia":{"data":null,"__typename":"UploadFileEntityResponse"}}},{"__typename":"ArtworkEntity","date_published":"2022-01-18T00:00:00.000Z","name":"Reward Cycle C1AA","description":"The scratchy patterns and lines of code in Yarli Allison’s Reward Cycle C1AA, (2021) were laboriously constructed by hand to mimic a digital interface. The labour-intensive process allowed her to play with alternative artistic decisions, and question the relationship between art-making and digital AI tools. Reward Cycle C1AA is part of a larger work that challenges who has power over new technologies. Entitled Datafication Act 1 : May Ian Valley 0101 《數據化事件一 : 美人谷0101》, the film imagines daily influences of AI emergence and gamification on one's behaviour - taking the most intimate sexual encounters as departure.","database_id":"artwork-54","slug":"reward-cycle-c1-aa","hidden":false,"image":"https://res.cloudinary.com/daata-prod/image/upload/v1680268094/still_Yarli_bf4f0b6359.png","media":{"provider_metadata":{"public_id":"export_250_255_c9f5f6f9db","resource_type":"video"},"url":"https://res.cloudinary.com/daata-prod/video/upload/v1680268081/export_250_255_c9f5f6f9db.mp4","mime":"video/mp4","__typename":"UploadFile"},"drop":{"slug":"body-circuitry","title":"Body Circuitry","headline":"Body Circuitry explores human-machine relationships in the digital age. 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In three captivating animations, a peculiar robotic figure exercises aboard floating vessels resembling regal crowns. Upon closer examination, these crowns are revealed to be composed of everyday consumer electronics such as fitness trackers and exercise equipment, connected devices that track our physical health.\n\nThrough this interplay of symbols, artist Jonathan Monaghan critiques the growing influence of technology and the state in monitoring and controlling our lives, exploring the impact on privacy and individual autonomy. The artist sheds light on the commodification of health, and how technology has perpetuated a culture of self-optimization. With its thought-provoking commentary, Crown Juuls offers a nuanced perspective on the delicate balance between technology, power, privacy, and the self in the era of the surveillance state. 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Drawing on wide-ranging sources, such as historical artworks and science fiction, his highly-crafted and fantastical works uncover subconscious anxieties associated with technology and consumerism. 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In three captivating animations, a peculiar robotic figure exercises aboard floating vessels resembling regal crowns. Upon closer examination, these crowns are revealed to be composed of everyday consumer electronics such as fitness trackers and exercise equipment, connected devices that track our physical health.\n\nThrough this interplay of symbols, artist Jonathan Monaghan critiques the growing influence of technology and the state in monitoring and controlling our lives, exploring the impact on privacy and individual autonomy. The artist sheds light on the commodification of health, and how technology has perpetuated a culture of self-optimization. With its thought-provoking commentary, Crown Juuls offers a nuanced perspective on the delicate balance between technology, power, privacy, and the self in the era of the surveillance state. 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In three captivating animations, a peculiar robotic figure exercises aboard floating vessels resembling regal crowns. Upon closer examination, these crowns are revealed to be composed of everyday consumer electronics such as fitness trackers and exercise equipment, connected devices that track our physical health.\n\nThrough this interplay of symbols, artist Jonathan Monaghan critiques the growing influence of technology and the state in monitoring and controlling our lives, exploring the impact on privacy and individual autonomy. The artist sheds light on the commodification of health, and how technology has perpetuated a culture of self-optimization. With its thought-provoking commentary, Crown Juuls offers a nuanced perspective on the delicate balance between technology, power, privacy, and the self in the era of the surveillance state. 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The game features characters in each camp. Art critic Jerry Saltz, legendary mega-dealer Larry Gagosian, and Yayoi Kusama are on the traditional art side, while Nigerian digital artist Osinachi, NFT-record shattering artist Mike Winkelmann (aka ‘Beeple’) and artist Refik Anadol, who is known for his large scale machine intelligence artworks, represent the crypto team. The Swiss art curator, Hans Ulrich Obrist, serves as a neutral player, paying homage to his home country. These familiar characters were created by Kenny Schachter and will be released at Kenny Schachter’s show at The NFT Gallery in New York City on May 18.\n\n\nEach round of the game will consist of five to ten characters all released as Open Editions. The most minted character from each round will be considered the winner, and the collector who holds the greatest number of the winning character at the end of the round will receive a physical sculpture of the character. All collectors of the winning character will be able to burn some of their character's tokens to redeem exclusive prizes.","database_id":"artwork-59","slug":"pop-principle","hidden":false,"media":{"provider_metadata":{"public_id":"ARTWORK_94c5fbcf55","resource_type":"video"},"url":"https://res.cloudinary.com/daata-prod/video/upload/v1684255002/ARTWORK_94c5fbcf55.mp4","mime":"video/mp4","__typename":"UploadFile"},"drop":{"slug":"pop-principle","title":"Pop Principle","headline":"An innovative and exhilarating fusion of traditional art and NFTs, bringing together iconic figures of both worlds in an engaging and competitive environment.","date_published":"2023-05-15T23:00:00.000Z","database_id":"drop-14","__typename":"Drop"},"artist":{"slug":"kenny-schachter","name":"Kenny Schachter","bio":"Kenny Schachter has been curating contemporary art shows in museums and galleries while teaching art history and economics for more than thirty years between Switzerland and the United States. Schachter has a column on Artnet.com and contributes to various international publications, including the New York Magazine and The Times Magazine (UK). After making digital art for decades, Schachter has spearheaded the traditional art world’s adaptation of Non Fungible Tokens in 2020-1 by lecturing at Yale, Cooper Union, Harvard Law School, Columbia University, the Art Institute of Chicago and the Hirschhorn Museum, among other institutions. Schachter had a retrospective of his art at New York's Rental Gallery in 2018, and solo shows at Kantor Gallery in LA (Feb. 2019) and Nagel Draxler in Berlin (Jan. 2022). He is the subject of a documentary in production, directed by Chris Smith (Tiger King/Fyre Festival) and a Hulu/ABC NFT film. Schachter lives in New York.","icon":{"data":{"attributes":{"url":"https://res.cloudinary.com/daata-prod/image/upload/v1684254311/LOGO_71faaefe9e.png","__typename":"UploadFile"},"__typename":"UploadFileEntity"},"__typename":"UploadFileEntityResponse"},"profile_pic":{"data":{"attributes":{"url":"https://res.cloudinary.com/daata-prod/image/upload/v1684255400/image_asset_de9c8301ff.jpg","__typename":"UploadFile"},"__typename":"UploadFileEntity"},"__typename":"UploadFileEntityResponse"},"__typename":"Artist"},"attachments":[{"__typename":"ComponentExternalMarketLinkExternalMarketLink","link":"https://popprinciple.kennyschachter.art/","siteName":"kennyschachter.art","buttonText":"Play Now!"}],"ExternalMarketLink":{"__typename":"ComponentExternalMarketLinkExternalMarketLink","link":"https://popprinciple.kennyschachter.art/","siteName":"kennyschachter.art","buttonText":"Play Now!"}},{"__typename":"ArtworkEntity","date_published":"2022-06-01T21:05:00.000Z","name":"Concordia","description":"(This piece is best experienced with earphones)\n\nConcordia (Latin, meaning ‘agreement’) is an ecology set in an undetermined earthly future where creatures coexist in a relationship of aqueous connection. These beings share one common trait: they filter water in their environment to maintain its balance. Common reeds, blue damselflies and asian clams all share these healing properties, and arise in reference to Aires’ investigation of her local river Lea in East London.\n\nConcordia is also the name of the being who acts as a guardian and restorative agent in this space. Her physiology evolved to display hybrid traits with her surroundings in order to survive on Earth. Eelgrass colonised her head, so now she also plays an important role in improving water quality by filtering polluted runoff and storing greenhouse gases like Co2. Fuelled by Hydrofeminist thought, she seeks to live reciprocally and in solidarity.\n\nThe sound composition, by Barney Kass, portrays the thriving activity of the ecology’s\nwildlife, plants and atmospheric conditions. It’s ever-changing and blends the built, natural and psychological landscapes together reflecting mutualistic collaborations between the surrounding life forces, a recurring theme of Kass’s work.\n\nThe work also counted on the participation of creative technologist Oliver Ellmers","database_id":"artwork-48","slug":"alice-aires","hidden":false,"image":"https://res.cloudinary.com/daata-prod/image/upload/v1684946346/Daata_square_app_cover_366d4e8b18.jpg","media":{"provider_metadata":{"public_id":"Daata_square_app_cover_366d4e8b18","resource_type":"image"},"url":"https://res.cloudinary.com/daata-prod/image/upload/v1684946346/Daata_square_app_cover_366d4e8b18.jpg","mime":"image/jpeg","__typename":"UploadFile"},"artist":{"slug":"alice-aires","name":"Alice Aires","bio":"Alice Aires is a London based digital artist who creates landscapes where nature is\nacknowledged as wealth. These speculative worlds are fuelled by research into philosophy and biology among other areas. Having grown up on the Portuguese coast, Aires’ current work is inspired by her fascination with water, and also relies on fieldwork to emerge.\n\nAires holds an MA in Animation from the RCA (2020), and her work has been shortlisted in world renowned festivals such as Cinanima and London Short Film Festival. She\npredominantly works with 3D animation, using software like Cinema 4D, Zbrush and\nSubstance Painter.\n","icon":{"data":{"attributes":{"url":"https://res.cloudinary.com/daata-prod/image/upload/v1679570119/Alice_Portrait_square_89a852658e.jpg","__typename":"UploadFile"},"__typename":"UploadFileEntity"},"__typename":"UploadFileEntityResponse"},"profile_pic":{"data":{"attributes":{"url":"https://res.cloudinary.com/daata-prod/image/upload/v1679570131/Alice_Portrait_1929f15e81.jpg","__typename":"UploadFile"},"__typename":"UploadFileEntity"},"__typename":"UploadFileEntityResponse"},"__typename":"Artist"},"attachments":[{"__typename":"ComponentArObjectArObject","bundle_name":"daata_aliceaires_PT_concordia"}],"arObject":{"__typename":"ComponentArObjectArObject","bundle_name":"daata_aliceaires_PT_concordia"}},{"__typename":"ArtworkEntity","date_published":"2023-02-21T00:00:00.000Z","name":"In Which Our Big Sister Addresses ...","description":"SIGNE PIERCE\n\n'IN WHICH OUR BIG SISTER ADDRESSES THE ELEPHANT IN THE WOUND': A CONFRONTATION TOWARDS THE DESECRATION OF PERSONAL INFORMATION AND THE END OF PRIVACY AS WE KNOW IT\n\n2023\n\n----\n\n'In Which Our Big Sister Addresses The Elephant In The Wound: A Confrontation Towards the Desecration of Personal Information and the End of Privacy As We Know It' is a performance + video by reality artist, Signe Pierce.\n\nThe short film sees the artist reprising the role of her alter ego, Big Sister. Big Sister has been a re-occurring character in Pierce's work since her inception in 2016. She exists as a personification of feminine sousveillance, a dualistic match to the Orwellian constructs of Big Brother.\nA high femme data domme who gets off on \"objectifying you, objectifying me\".\n\nIn this work, Big Sister is in the \"privacy\" of her own bedroom, confronting the lack thereof. It is a candid and unscripted conversation in which Pierce/Big Sister (they one and the same) initiates a seductive conversation with any and all of the various trackers which may be recording, preying, and surveying her through her cameras, computers and devices at any given moment. In this piece, we find Big Sister operating from a state of soft negotiation. \"I just want to understand\".\n\n\"We have reached an era in our technological development where we really have no idea who or what is collecting our data at any given time. Privacy is a fallacy which no longer exists. I've watched as my diary entries are mined for targeted ads, and my private encounters become passing fads I wanted to speak to this experience, by speaking TO the unknown surveillance corporate culture which lives inside my home\". - Signe Pierce\n","database_id":"artwork-43","slug":"big-sister","hidden":false,"image":"https://res.cloudinary.com/daata-prod/image/upload/v1677000669/SP_still_c423289267.jpg","media":{"provider_metadata":{"public_id":"SIGNE_PIERCE_IN_WHICH_OUR_BIG_SISTER_4eb59512e0","resource_type":"video"},"url":"https://res.cloudinary.com/daata-prod/video/upload/v1677000705/SIGNE_PIERCE_IN_WHICH_OUR_BIG_SISTER_4eb59512e0.mp4","mime":"video/mp4","__typename":"UploadFile"},"drop":{"slug":"blind-spot","title":"Blind Spot","headline":"What happens when the artists’ organic eye fuses with the unsympathetic digital eye?","date_published":"2023-02-21T00:00:00.000Z","database_id":"drop-11","__typename":"Drop"},"artist":{"slug":"signe-pierce","name":"Signe Pierce","bio":"Signe Pierce is a multimedia performer and self-described 'reality artist' known for her boundary-pushing and thought-provoking works related to the internet, technology, and identity in contemporary society. Her art often explores the relationship between self, soul, and society, and the psychological impact that tech is incurring on the human experience and collective consciousness. Her term 'reality art' was coined to describe the nature of merging one's artist practice with the virtuality of 21st Century hyper-communication by exploring the ways in which an artist's lived experience is able to be canvassed and broadcast into immedia (immediate + media). It is a term to describe the new paradigms, creative opportunities and artistic innovations which are expanding in the age of hyperreality.","icon":{"data":{"attributes":{"url":"https://res.cloudinary.com/daata-prod/image/upload/v1676902212/Doze_D_Qn4_400x400_3f808be1ec.jpg","__typename":"UploadFile"},"__typename":"UploadFileEntity"},"__typename":"UploadFileEntityResponse"},"profile_pic":{"data":{"attributes":{"url":"https://res.cloudinary.com/daata-prod/image/upload/v1676902212/Doze_D_Qn4_400x400_3f808be1ec.jpg","__typename":"UploadFile"},"__typename":"UploadFileEntity"},"__typename":"UploadFileEntityResponse"},"__typename":"Artist"},"attachments":[{"__typename":"ComponentExternalMarketLinkExternalMarketLink","link":"https://superrare.com/0xe964de9db6452011f288c34860d290a000917b7e/%27in-which-our-big-sister-addresses-the-elephant-in-the-wound%27-4","siteName":"SuperRare","buttonText":"Buy Now"}],"ExternalMarketLink":{"__typename":"ComponentExternalMarketLinkExternalMarketLink","link":"https://superrare.com/0xe964de9db6452011f288c34860d290a000917b7e/%27in-which-our-big-sister-addresses-the-elephant-in-the-wound%27-4","siteName":"SuperRare","buttonText":"Buy Now"}}]